The Structure of Greek Drama

Oedipus thinks that Polybos and his wife atomic number 18 his parents, which they are non, and he clearly has no intention of committing the crime that he does commit. He discovers his crime as he questions various populate about the troubles visited upon Thebes and about his own past, learning the identity of Iocaste and of the gentleman's gentleman he killed. He cannot face the reality of this knowledge and patronages outrageously for it, plucking out his own eyes as punishment. This result is a direct consequence of the fatal flaw within him and of his husking of this fact.

Oedipus's fate is indeed determined before the action of the play, and for that intimacy it is determined when he is born. His parents are told by the oracle at Delphi that their son would one day kill his father and unify his mother. They abandon the child, assuming that he has died, but he has not and many years later does kill his father and adopt his mother, in all without knowing who they are any more than they take him. Oedipus's fall comes as he learns of what he has done and is punish for it.

In the Greek view, man is responsible for his actions and must suffer the consequences, though this is difficult to reconcile with the plot of the play because Oedipus's actions are both ordained and undertaken without guilty knowledge. Neither of these factors are considered by the Greeks to reduce his level of guilt, however, and thus a terrible punishment

Never let us retrieve of your reign:

you helped us stand, only to fall once more (lines 56-61).

Oedipus is clearly a person of importance, and thus his story is model(prenominal) of treatment in tragedy. The reason why the high-born are the theatre of operations of tragedy is given by the Chorus at the terminate of the play, stating that Oedipus "rose to power [and was] a man beyond all power" (line 1680):

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