St . Jerome and St . Francis . nevertheless , the author abandoned this intention later , and on the final version we see asymmetrical location of figures with a crowd of angels on the left and al roughly empty put with only a tiny figure of St . Jerome on the rightThere is no consolidated opinion on the nub of the word-painting . nigh like Maniates , see in it the signs of eroticism and heightened sensuality that verges on the immoral , and ascribe ambiguous charm to Parmigianino s bloody shame . However , others underline the ghostly meaning of the painting . Kleiner states that attenuated limbs of Madonna serve not solely for decorative purposes , let solely the erotic ones , but have a religious meaning . Paoletti and Radke agree with this point of view and even examine the religious signs more closely . In medieval hymns , Virgin s issue was compared to a great ivory column , and the attenuated write out of Parmigianino s Madonna is definitely the visual embodiment of this comparison . A single column behind the Virgin on the painting also speaks in favor of this interpretation .
Even the most erotic features like the Virgin s engorged nipples can be interpreted as the religious symbols of her ability to nourish the faithfulIn concomitant , it is hard to believe that Parmigianino painted with the eroticism in oral sex . First of all , he painted for Elena Baiardi s family chapel in Parma , and the frivolous attitude could not be accepted in this case . Then , there is a cross on the vase , that Vasari noted when he first saw the painting in the mid-sixteenth century , and that symbolizes the Christ s fate to be crucified . Finally , the truly attenuated limbs are not erotic but emblematical . Mannerism did not have a goal of represent natural and erotic it was symbolical in the sense that...If you require to get a full essay, order it on our website: Orderessay
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