Paranoia, Fear & Propaganda of Cold War

That conflict ended by and by three years in an agreement amidst the devil sides that left the prewar borders pretty much the same as they were before the war. However, another crisis during the Cold War, the Cuban projectile Crisis, closely erupted into a nuclear arms confrontation between the U.S. and the Soviet Union. While the Cold War ended as the Soviet economy collapsed during the late eighties and 1990s, ideological differences still offprint the two nations. Yet, it is this former era of fear, paranoia, and propaganda that acts as the setting and scope for The Manchurian Candidate.

Both the Korean War and the Cuban Missile Crisis are examples of how much fear, paranoia, and propaganda created intense rivalry and suspicion between the U.S. and the Soviet Union. The U.S. was worried if communism spread in atomic number 63 and other regions of the globe, U.S. interests would become jeopardized, while, of course, the Russians viewed the spread of democracy in a similar manner. Fear, suspicion, communist witch-hunting and paranoia were the watchwords of the day in the mid-fifties and 1960s. Anyone remotely dissenting to American ideology was immediately suspect as a communist sympathizer or outright commie ? to use the ling of the era. In fact, ideological differences separated the two nations as much as geography and system of politics "The Cold War was a period of East-West competition, tension, and conflict scant(p) of full-scale war, characterized by mutual perceptions of hosti

The Manchurian Candidate does an excellent job at recreating the fear, paranoia, and propaganda that were portion of American culture during the 1940s and 1950s. Like Senator Joseph McCarthy and the fictional Senator Iselin from the film, at that place were many individuals who felt that the threat to American freedom and security system from the Soviet Union and communism was a very original one indeed. One was Congressman George A. Dondero, who, in debates in the U.S. hold over the Mundt-Nixon bill created to "protect the U.S. against Un-American and subversive activities," claimed "The dry land is dividing into two camps, freedom versus Communism, Christian civilization versus paganism" (Miller xi).

If we echo such sentiments are fanciful or did not strike American culture, we only need to think of Ronald Reagan in the 1980s still referring to the Soviet Union as a godless and "evil empire."

Disbelief, disillusionment, and despair ran rampant during the red scare of the 1950s and these emotions are accurately portrayed by Frank Sinatra's character, Marco. afterward becoming aware of the tactics of the enemy and of Americans, Marco's heartfelt and locomote speech at the end of the film in source to the heroic Raymond amply demonstrates the disillusionment and despair of many Americans who proverb through the zealous, right-wing attacks of the HUAC and the persecution of many innocent people. Mrs. Iselin, of course, is meant to represents the aspiring, right-wing, buffoonish elements of those who orchestrate the communist witch-hunts in American society. This kind of right-wing, self-serving politician is poised as the real threat to American freedom. by chance we see this most clearly by the way the generator and director have orchestrated the assassination of the would-be presidential candidate. There is no accident about the point in the speech when the candidate is to be shot, for it comes just as he mentions American freedom and liberty. As Mrs. Iselin tells her son "You are to hi
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